godot-docs/tutorials/audio/audio_effects.rst

:article_outdated: True

.. _doc_audio_effects:

Audio effects
=============

Godot includes several audio effects that can be added to an audio bus to
alter every sound file that goes through that bus.

.. image:: img/audio_buses4.png

Try them all out to get a sense of how they alter sound. Here follows a short
description of the available effects:

Amplify
~~~~~~~

Amplify changes the volume of the signal. Some care needs to be taken, though:
setting the level too high can make the sound digitally clip, which can produce
unpleasant crackles and pops.

BandLimit and BandPass
~~~~~~~~~~~~~~~~~~~~~~

These are resonant filters which block frequencies around the *Cutoff* point.
BandPass can be used to simulate sound passing through an old telephone line or
megaphone. Modulating the BandPass frequency can simulate the sound of a wah-wah
guitar pedal, think of the guitar in Jimi Hendrix's *Voodoo Child (Slight
Return)*.

Capture
~~~~~~~

The Capture effect copies the audio frames of the audio bus that it is on into
an internal buffer. This can be used to capture data from the microphone
or to transmit audio over the network in real-time.

Chorus
~~~~~~

As the name of the effect implies, the Chorus effect makes a single audio sample
sound like an entire chorus. It does this by duplicating a signal and very
slightly altering the timing and pitch of each duplicate, and varying that
over time via an LFO (low frequency oscillator). The duplicate(s) are then
mixed back together with the original signal, producing a lush, wide, and
large sound. Although chorus is traditionally used for voices, it can be
desirable with almost any type of sound.

Compressor
~~~~~~~~~~

A dynamic range compressor automatically attenuates (ducks) the level of the incoming
signal when its amplitude exceeds a certain threshold. The level of attenuation
applied is proportional to how far the incoming audio exceeds the threshold.
The compressor's Ratio parameter controls the degree of attenuation.
One of the main uses of a compressor is to reduce the dynamic range of signals
with very loud and quiet parts. Reducing the dynamic range of a signal
can make it fit more comfortably in a mix.

The compressor has many uses. For example:

- It can be used in the Master bus to compress the whole output prior to being hit by a limiter, making the effect of the limiter much more subtle.
- It can be used in voice channels to ensure they sound as even as possible.
- It can be *sidechained* by another sound source. This means it can reduce the sound level
  of one signal using the level of another audio bus for threshold detection.
  This technique is very common in video game mixing to "duck" the level of
  music or sound effects when in-game or multiplayer voices need to be fully audible.
- It can accentuate transients by using a slower attack.
  This can make sound effects more punchy.

.. note::

    If your goal is to prevent a signal from exceeding a given amplitude
    altogether, rather than to reduce the dynamic range of the signal,
    a :ref:`limiter <doc_audio_buses_limiter>` is likely a better choice
    than a compressor for this purpose. However, applying compression before
    a limiter is still good practice.

Delay
~~~~~

Digital delay essentially duplicates a signal and repeats it at a specified
speed with a volume level that decays for each repeat. Delay is great for
simulating the acoustic space of a canyon or large room, where sound bounces
have a lot of *delay* between their repeats. This is in contrast to reverb,
which has a more natural and blurred sound to it. Using this in conjunction
with reverb can create very natural sounding environments!

Distortion
~~~~~~~~~~

Makes the sound distorted. Godot offers several types of distortion:

- *Overdrive* sounds like a guitar distortion pedal or megaphone. Sounds distorted with this sound like they're coming through
  a low-quality speaker or device.
- *Tan* sounds like another interesting flavor of overdrive.
- *Bit crushing* clamps the amplitude of the signal, making it sound flat and crunchy.

All three types of distortion can add higher frequency sounds to an original sound, making it stand out better in a mix.

EQ
~~

EQ is what all other equalizers inherit from. It can be extended with Custom
scripts to create an equalizer with a custom number of bands.

EQ6, EQ10, EQ21
~~~~~~~~~~~~~~~

Godot provides three equalizers with different numbers of bands, which
are represented in the title (6, 10, and 21 bands, respectively).
An equalizer on the Master bus can be useful for cutting low and high
frequencies that the device's speakers can't reproduce well.
For example, phone or tablet speakers usually don't reproduce
low frequency sounds well, and could make a limiter or compressor
attenuate sounds that aren't even audible to the user anyway.

Note: The equalizer effect can be disabled when headphones are plugged in, giving the user the best of both worlds.

Filter
~~~~~~

Filter is what all other filters inherit from and should not be used directly.

HighPassFilter
~~~~~~~~~~~~~~

Cuts frequencies below a specific *Cutoff* frequency.
HighPassFilter is used to reduce the bass content of a
signal.

HighShelfFilter
~~~~~~~~~~~~~~~

Reduces all frequencies above a specific *Cutoff* frequency.

.. _doc_audio_buses_limiter:

Limiter
~~~~~~~

A limiter is similar to a compressor, but it's less flexible and designed to
prevent a signal's amplitude exceeding a given dB threshold. Adding a limiter to the final point of
the Master bus is good practice, as it offers an easy safeguard against clipping.

LowPassFilter
~~~~~~~~~~~~~

Cuts frequencies above a specific *Cutoff* frequency and can also resonate
(boost frequencies close to the *Cutoff* frequency). Low pass filters can be
used to simulate "muffled" sound. For instance, underwater sounds, sounds
blocked by walls, or distant sounds.

LowShelfFilter
~~~~~~~~~~~~~~

Reduces all frequencies below a specific *Cutoff* frequency.

NotchFilter
~~~~~~~~~~~

The opposite of the BandPassFilter, it removes a band of sound from the
frequency spectrum at a given *Cutoff* frequency.

Panner
~~~~~~

The Panner allows the stereo balance of a signal to be adjusted between
the left and right channels. Headphones are recommended when configuring in this effect.

Phaser
~~~~~~

This effect is formed by de-phasing two duplicates of the same sound so
they cancel each other out in an interesting way. Phaser produces a
pleasant whooshing sound that moves back and forth through the audio
spectrum, and can be a great way to create sci-fi effects or Darth
Vader-like voices.

PitchShift
~~~~~~~~~~

This effect allows the adjustment of the signal's pitch independently of its
speed. All frequencies can be increased/decreased with minimal effect on
transients. PitchShift can be useful to create unusually high or deep voices.
Do note that altering pitch can sound unnatural when pushed outside of a
narrow window.

Record
~~~~~~

The Record effect allows the user to record sound from a microphone.

Reverb
~~~~~~

Reverb simulates rooms of different sizes. It has adjustable parameters that can
be tweaked to obtain the sound of a specific room. Reverb is commonly outputted
from :ref:`Area3Ds <class_Area3D>`
(see :ref:`Reverb buses <doc_audio_streams_reverb_buses>`), or to apply
a "chamber" feel to all sounds.

SpectrumAnalyzer
~~~~~~~~~~~~~~~~

This effect doesn't alter audio, instead, you add this effect to buses you want
a spectrum analysis of. This would typically be used for audio visualization.
Visualizing voices can be a great way to draw attention to them without just
increasing their volume.
A demo project using this can be found `here <https://github.com/godotengine/godot-demo-projects/tree/master/audio/spectrum>`__.

StereoEnhance
~~~~~~~~~~~~~

This effect uses a few algorithms to enhance a signal's stereo width.