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- .. _doc_importing_audio_samples:
- Importing audio samples
- =======================
- Supported audio formats
- -----------------------
- Godot provides 3 options to import your audio data: WAV, Ogg Vorbis and MP3.
- Each format has different advantages:
- - WAV files use raw data or light compression (IMA-ADPCM or QOA). They are
- lightweight to play back on the CPU (hundreds of simultaneous voices in this
- format are fine). The downside is that they take up a lot of disk space.
- - Ogg Vorbis files use a stronger compression that results in much
- smaller file size, but require significantly more processing power to
- play back.
- - MP3 files use better compression than WAV with IMA-ADPCM or QOA, but worse
- than Ogg Vorbis. This means that an MP3 file with roughly equal quality to
- Ogg Vorbis will be significantly larger. On the bright side, MP3 requires
- less CPU usage to play back compared to Ogg Vorbis.
- .. note::
- If you've compiled the Godot editor from source with specific modules disabled,
- some formats may not be available.
- Here is a comparative chart representing the file size of 1 second of audio with
- each format:
- +-----------------------------+-------------------+
- | Format | 1 second of audio |
- +=============================+===================+
- | WAV 24-bit, 96 kHz, stereo | 576 KB |
- +-----------------------------+-------------------+
- | WAV 16-bit, 44 kHz, mono | 88 KB |
- +-----------------------------+-------------------+
- | WAV IMA-ADPCM, 44 kHz, mono | 22 KB |
- +-----------------------------+-------------------+
- | WAV QOA, 44 kHz, mono | 17 KB |
- +-----------------------------+-------------------+
- | MP3 192 Kb/s, stereo | 24 KB |
- +-----------------------------+-------------------+
- | Ogg Vorbis 128 Kb/s, stereo | 16 KB |
- +-----------------------------+-------------------+
- | Ogg Vorbis 96 Kb/s, stereo | 12 KB |
- +-----------------------------+-------------------+
- Note that the MP3 and Ogg Vorbis figures can vary depending on the encoding
- type. The above figures use :abbr:`CBR (Constant Bit Rate)` encoding for
- simplicity, but most Ogg Vorbis and MP3 files you can find online are encoded
- with :abbr:`VBR (Variable Bit Rate)` encoding which is more efficient.
- VBR encoding makes the effective audio file size depend on how "complex" the
- source audio is.
- .. tip::
- Consider using WAV for short and repetitive sound effects, and Ogg Vorbis for
- music, speech, and long sound effects. MP3 is useful for mobile and web projects
- where CPU resources are limited, especially when playing multiple compressed
- sounds at the same time (such as long ambient sounds).
- Importing audio samples
- -----------------------
- Several options are available in the Import dock after selecting a WAV file in
- the FileSystem dock:
- .. figure:: img/importing_audio_samples_import_options_wav.webp
- :align: center
- :alt: Import options in the Import dock after selecting a WAV file in the FileSystem dock
- Import options in the Import dock after selecting a WAV file in the FileSystem dock
- The set of options available after selecting an Ogg Vorbis or MP3 file is different:
- .. figure:: img/importing_audio_samples_import_options_mp3.webp
- :align: center
- :alt: Import options in the Import dock after selecting an MP3 file in the FileSystem dock
- Import options in the Import dock after selecting an MP3 file in the
- FileSystem dock. Options are identical for Ogg Vorbis files.
- After importing a sound, you can play it back using the AudioStreamPlayer,
- AudioStreamPlayer2D or AudioStreamPlayer3D nodes. See :ref:`doc_audio_streams`
- for more information.
- Import options (WAV)
- --------------------
- Force > 8 Bit
- -------------
- If enabled, forces the imported audio to use 8-bit quantization if the source
- file is 16-bit or higher.
- Enabling this is generally not recommended, as 8-bit quantization decreases
- audio quality significantly. If you need smaller file sizes, consider using Ogg
- Vorbis or MP3 audio instead.
- Force > Mono
- ------------
- If enabled, forces the imported audio to be mono if the source file is stereo.
- This decreases the file size by 50% by merging the two channels into one.
- Force > Max Rate
- ----------------
- If set to a value greater than ``0``, forces the audio's sample rate to be
- reduced to a value lower than or equal to the value specified here.
- This can decrease file size noticeably on certain sounds, without impacting
- quality depending on the actual sound's contents. See
- :ref:`doc_importing_audio_samples_best_practices` for more information.
- Edit > Trim
- -----------
- The source audio file may contain long silences at the beginning and/or the end.
- These silences are inserted by :abbr:`DAWs (Digital Audio Workstations)` when
- saving to a waveform, which increases their size unnecessarily and add latency
- to the moment they are played back.
- Enabling **Trim** will automatically trim the beginning and end of the audio if
- it's lower than -50 dB *after* normalization (see **Edit > Normalize** below). A
- fade-in/fade-out period of 500 samples is also used during trimming to avoid
- audible pops.
- Edit > Normalize
- ----------------
- If enabled, audio volume will be *normalized* so that its peak volume is equal
- to 0 dB. When enabled, normalization will make audio sound louder depending on
- its original peak volume.
- Edit > Loop Mode
- ----------------
- Unlike Ogg Vorbis and MP3, WAV files can contain metadata to indicate whether
- they're looping (in addition to loop points). By default, Godot will follow this
- metadata, but you can choose to apply a specific loop mode:
- - **Disabled:** Don't loop audio, even if metadata indicates the file should be
- played back looping.
- - **Forward:** Standard audio looping.
- - **Ping-Pong:** Play audio forward until it's done playing, then play it
- backward and repeat. This is similar to mirrored texture repeat, but for
- audio.
- - **Backward:** Play audio in reverse and loop back to the end when done playing.
- When choosing one of the **Forward**, **Ping-Pong** or **Backward** loop modes,
- loop points can also be defined to make only a specific part of the sound loop.
- **Loop Begin** is set in samples after the beginning of the audio file. **Loop
- End** is also set in samples after the beginning of the audio file, but will use
- the end of the audio file if set to ``-1``.
- .. warning::
- In AudioStreamPlayer, the ``finished`` signal won't be emitted for looping
- audio when it reaches the end of the audio file, as the audio will keep
- playing indefinitely.
- Compress > Mode
- ---------------
- Three compression modes can be chosen from for WAV files: **Disabled** (default),
- **RAM (Ima-ADPCM)**, or **QOA (Quite OK Audio)**. **RAM (Ima-ADPCM)** reduces
- file size and memory usage a little, at the cost of decreasing quality in an
- audible manner. **QOA (Quite OK Audio)** reduces file size a bit more than
- **RAM (Ima-ADPCM)** and the quality decrease is much less noticeable, at the
- cost of higher CPU usage (still much lower than MP3).
- Ogg Vorbis and MP3 don't decrease quality as much and can provide greater file
- size reductions, at the cost of higher CPU usage during playback. This higher
- CPU usage is usually not a problem (especially with MP3), unless playing dozens
- of compressed sounds at the same time on mobile/web platforms.
- Import options (Ogg Vorbis and MP3)
- -----------------------------------
- Loop
- ^^^^
- If enabled, the audio will begin playing at the beginning after playback ends by
- reaching the end of the audio.
- .. warning::
- In AudioStreamPlayer, the ``finished`` signal won't be emitted for looping
- audio when it reaches the end of the audio file, as the audio will keep
- playing indefinitely.
- Loop Offset
- ^^^^^^^^^^^
- The loop offset determines where audio will start to loop after playback reaches
- the end of the audio. This can be used to only loop a part of the audio file,
- which is useful for some ambient sounds or music. The value is determined in
- seconds relative to the beginning of the audio, so ``0`` will loop the entire
- audio file.
- Only has an effect if **Loop** is enabled.
- A more convenient editor for **Loop Offset** is provided in the
- :ref:`Advanced import settings <doc_importing_audio_samples_advanced_import_settings>`
- dialog, as it lets you preview your changes without having to reimport the audio.
- BPM
- ^^^
- The Beats Per Minute of the audio track. This should match the BPM measure that
- was used to compose the track. This is only relevant for music that wishes to
- make use of interactive music functionality, not sound
- effects.
- A more convenient editor for **BPM** is provided in the
- :ref:`Advanced import settings <doc_importing_audio_samples_advanced_import_settings>`
- dialog, as it lets you preview your changes without having to reimport the audio.
- Beat Count
- ^^^^^^^^^^
- The beat count of the audio track. This is only relevant for music that wishes
- to make use of interactive music functionality, not sound
- effects.
- A more convenient editor for **Beat Count** is provided in the
- :ref:`Advanced import settings <doc_importing_audio_samples_advanced_import_settings>`
- dialog, as it lets you preview your changes without having to reimport the audio.
- Bar Beats
- ^^^^^^^^^
- The number of bars within a single beat in the audio track. This is only
- relevant for music that wishes to make use of interactive music functionality
- , not sound effects.
- A more convenient editor for **Bar Beats** is provided in the
- :ref:`Advanced import settings <doc_importing_audio_samples_advanced_import_settings>`
- dialog, as it lets you preview your changes without having to reimport the audio.
- .. _doc_importing_audio_samples_advanced_import_settings:
- Advanced import settings (Ogg Vorbis and MP3)
- ---------------------------------------------
- If you double-click an Ogg Vorbis or MP3 file in the FileSystem dock (or choose
- **Advanced…** in the Import dock), you will see a dialog appear:
- .. figure:: img/importing_audio_samples_advanced_import_settings.webp
- :align: center
- :alt: Advanced dialog when double-clicking an Ogg Vorbis or MP3 file in the FileSystem dock
- Advanced dialog when double-clicking an Ogg Vorbis or MP3 file in the FileSystem dock
- This dialog allows you to edit the audio's loop point with a real-time preview,
- in addition to the :abbr:`BPM (Beats Per Minute)`, beat count and bar beats.
- These 3 settings are currently unused, but they will be used in the future for
- interactive music support (which allows smoothly transitioning between different
- music tracks).
- .. note::
- Unlike WAV files, Ogg Vorbis and MP3 only support a "loop begin" loop point,
- not a "loop end" point. Looping can also be only be standard forward
- looping, not ping-pong or backward.
- .. _doc_importing_audio_samples_best_practices:
- Best practices
- --------------
- Use appropriate quality settings
- ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
- While keeping pristine-quality audio sources is important if you're performing
- editing, using the same quality in the exported project is not necessary. For
- WAV files, Godot offers several import options to reduce the final file size
- without modifying the source file on disk.
- To reduce memory usage and file size, choose an appropriate quantization,
- sample rate and number of channels for your audio:
- - There's no *audible* benefit to using 24-bit audio, especially in a game
- where several sounds are often playing at the same time (which makes it
- harder to appreciate individual sounds).
- - Unless you are slowing down the audio at run-time, there's no *audible*
- benefit to using a sample rate greater than 48 kHz. If you wish to keep a
- source with a higher sample rate for editing, use the **Force > Max Rate**
- import option to limit the sample rate of the imported sound (only available
- for WAV files).
- - Many sound effects can generally be converted to mono as opposed to stereo.
- If you wish to keep a source with stereo for editing, use the **Force > Mono**
- import option to convert the imported sound to mono (only available for WAV files).
- - Voices can generally be converted to mono, but can also have their sample rate
- reduced to 22 kHz without a noticeable loss in quality (unless the voice is
- very high-pitched). This is because most human voices never go past 11 kHz.
- Use real-time audio effects to reduce file size
- ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
- Godot has an :ref:`extensive bus system <doc_audio_buses>` with built-in effects.
- This saves SFX artists the need to add reverb to the sound effects,
- reducing their size greatly and ensuring correct trimming.
- .. image:: img/reverb.png
- As you can see above, sound effects become much larger in file size with reverb
- added.
- .. seealso::
- Audio samples can be loaded and saved at runtime using
- :ref:`runtime file loading and saving <doc_runtime_file_loading_and_saving_audio_video_files>`,
- including from an exported project.
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