rubberband.1 3.1 KB

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  1. .\" This manpage has been automatically generated by docbook2man
  2. .\" from a DocBook document. This tool can be found at:
  3. .\" <http://shell.ipoline.com/~elmert/comp/docbook2X/>
  4. .\" Please send any bug reports, improvements, comments, patches,
  5. .\" etc. to Steve Cheng <steve@ggi-project.org>.
  6. .TH "RUBBERBAND" "1" "15 September 2014" "" ""
  7. .SH NAME
  8. rubberband \- an audio time-stretching and pitch-shifting utility program
  9. .SH SYNOPSIS
  10. \fBrubberband\fR [ \fB\fIoptions\fB\fR ] [ \fB\fIinput file\fB\fR ] [ \fB\fIoutput file\fB\fR ]
  11. .SH "DESCRIPTION"
  12. .PP
  13. This manual page documents briefly the
  14. \fBrubberband\fR command.
  15. .PP
  16. Rubber Band is a program that permits you to change the
  17. tempo and pitch of an audio recording independently of one
  18. another.
  19. .SH "OPTIONS"
  20. .PP
  21. These programs follow the usual GNU command line syntax,
  22. with long options starting with two dashes (`-'). A summary of
  23. options is included below.
  24. .PP
  25. You must specify at least one of the following time and
  26. pitch ratio options.
  27. .TP
  28. \fB-t, --time \fIX\fB\fR
  29. Stretch to \fIX\fR times original
  30. duration, or
  31. .TP
  32. \fB-T, --tempo \fIX\fB\fR
  33. Change tempo by multiple \fIX\fR (equivalent to --time 1/X)
  34. .TP
  35. \fB-p, --pitch \fIX\fB\fR
  36. Raise pitch by \fIX\fR semitones, or
  37. .TP
  38. \fB-f, --frequency \fIX\fB\fR
  39. Change frequency by multiple \fIX\fR
  40. .PP
  41. The following option provides a simple way to adjust the
  42. sound. See below for more details.
  43. .TP
  44. \fB-n, --crisp \fIN\fB\fR
  45. Crispness (N = 0,1,2,3,4,5); default 4 (see below)
  46. .PP
  47. The remaining options fine-tune the processing mode and
  48. stretch algorithm. These are mostly included for test purposes;
  49. the default settings and standard crispness parameter are
  50. intended to provide the best sounding set of options for most
  51. situations.
  52. .TP
  53. \fB-P, --precise\fR
  54. Aim for minimal time distortion (implied by -R)
  55. .TP
  56. \fB-R, --realtime\fR
  57. Select realtime mode (implies -P --no-threads)
  58. .TP
  59. \fB--no-threads\fR
  60. No extra threads regardless of CPU and channel count
  61. .TP
  62. \fB--threads\fR
  63. Assume multi-CPU even if only one CPU is identified
  64. .TP
  65. \fB--no-transients\fR
  66. Disable phase resynchronisation at transients
  67. .TP
  68. \fB--bl-transients\fR
  69. Band-limit phase resync to extreme frequencies
  70. .TP
  71. \fB--no-peaklock\fR
  72. Disable phase locking to peak frequencies
  73. .TP
  74. \fB--no-softening\fR
  75. Disable large-ratio softening of phase locking
  76. .TP
  77. \fB--window-long\fR
  78. Use longer processing window (actual size may vary)
  79. .TP
  80. \fB--window-short\fR
  81. Use shorter processing window
  82. .TP
  83. \fB--thresh \fIN\fB \fIF\fB\fR
  84. Set internal freq threshold \fIN\fR (N = 0,1,2) to \fIF\fR Hz
  85. .TP
  86. \fB-d, --debug \fIN\fB\fR
  87. Select debug level (N = 0,1,2,3); default 0, full 3
  88. (N.B. debug level 3 includes audible ticks in output)
  89. .TP
  90. \fB-q, --quiet\fR
  91. Suppress progress output
  92. .TP
  93. \fB-h, --help\fR
  94. Show a list of available options
  95. .PP
  96. Crispness levels:
  97. .TP
  98. \fB0\fR
  99. equivalent to --no-transients --no-peaklock --window-long
  100. .TP
  101. \fB1\fR
  102. equivalent to --no-transients --no-peaklock
  103. .TP
  104. \fB2\fR
  105. equivalent to --no-transients
  106. .TP
  107. \fB3\fR
  108. equivalent to --bl-transients
  109. .TP
  110. \fB4\fR
  111. default processing options
  112. .TP
  113. \fB5\fR
  114. equivalent to --no-peaklock --window-short (may be suitable for drums)
  115. .SH "AUTHOR"
  116. .PP
  117. Rubber Band was written by Chris Cannam <cannam@all-day-breakfast.com>\&.