japa.rst 3.1 KB

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  1. .. RST source for japa(1) man page. Convert with:
  2. .. rst2man.py japa.rst > japa.1
  3. .. rst2man.py comes from the SBo development/docutils package.
  4. .. |version| replace:: 0.9.2
  5. .. |date| date::
  6. ====
  7. japa
  8. ====
  9. ----------------------------
  10. JACK and ALSA Audio Analyser
  11. ----------------------------
  12. :Manual section: 1
  13. :Manual group: SlackBuilds.org
  14. :Date: |date|
  15. :Version: |version|
  16. SYNOPSIS
  17. ========
  18. japa **-J** [**-name** *name* ] [**-s** *server*]
  19. japa **-A** [**-name** *name* ] [**-d** *device*] [**-C** *device* ] [**-P** *device* ] [**-r** *rate*] [**-p** *period*] [**-n** *nfrags*]
  20. DESCRIPTION
  21. ===========
  22. japa (JACK and ALSA Perceptual Analyser), is a 'perceptual'
  23. or 'psychoacoustic' audio spectrum analyser. In contrast to
  24. JAAA, this is more an acoustical or musical tool than a purely
  25. technical one. Possible uses include spectrum monitoring while
  26. mixing or mastering, evaluation of ambient noise, and (using
  27. pink noise), equalisation of PA systems. For more information see
  28. /usr/doc/japa-|version|/README.
  29. In JACK mode (**-J**), japa creates 4 input ports (for spectrum
  30. analysis), named *japa:in_<N>* (where *<N>* ranges 1 to 4) and
  31. 2 output ports (for noise generation), named *japa:pink* and
  32. *japa:white*. By default, these aren't connected to anything; use
  33. e.g. **qjackctl**\(1) or **jack_connect**\(1) to connect to other JACK
  34. clients.
  35. In ALSA mode, the inputs and outputs are connected directly to the
  36. ALSA device, meaning e.g. there will be 2 inputs and 2 outputs for
  37. a typical stereo audio card. Yes, this means the pink and white
  38. noise generators will be heard immediately on starting up japa;
  39. if you don't need them you can silence them with e.g. **-C hw:0 -P
  40. null**. If you get "Can't connect to ALSA", try a different device
  41. (use **alsamixer**\(1) or **aplay**\(1) to get a list of them).
  42. OPTIONS
  43. =======
  44. Either **-J** or **-A** is required.
  45. **-h**
  46. Show built-in help message.
  47. **-name** *name*
  48. Set X11 client name (and JACK client name, with **-J**).
  49. **-J**
  50. Use JACK for audio. This option is available in JACK mode:
  51. **-s** *server*
  52. Connect to a specific JACK server. Default is 'default' or
  53. **$JACK_DEFAULT_SERVER** environment variable.
  54. **-A**
  55. Use ALSA for audio. These options are available in ALSA mode:
  56. **-d** *device*
  57. ALSA device for capture and playback. This option sets the
  58. playback and capture devices to the same device. For separate
  59. capture and playback, use the **-C** and **-P** options.
  60. Default: **hw:0** unless **-C** or **-P** is used.
  61. **-C** *device*
  62. ALSA device for capture. Default: not used.
  63. **-P** *device*
  64. ALSA device for playback. Default: not used.
  65. **-r** *rate*
  66. Sample frequency. Default: 48000.
  67. **-p** *period*
  68. Period size. Default: 1024.
  69. **-n** *nfrags*
  70. Number of fragments. Default: 2.
  71. COPYRIGHT
  72. =========
  73. See the file /usr/doc/japa-|version|/COPYING for license information.
  74. AUTHORS
  75. =======
  76. japa was written by Fons Adriaensen <fons@kokkinizita.net>.
  77. This man page written for the SlackBuilds.org project
  78. by B. Watson, and is licensed under the WTFPL.
  79. SEE ALSO
  80. ========
  81. **jackd**\(1), **jaaa**\(1)
  82. https://kokkinizita.linuxaudio.org/linuxaudio/