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@article{ConsecSemitone,
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@article{DifficultyAsHeaviness,
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@book{GeomMusic,
    author    = {Tymoczko, Dmitri},
    title     = {A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice},
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    series    = {Oxford Studies in Music Theory},
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@article{HistMathrockPt1,
    author       = {Hunter, Nikk and Covert, William},
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@book{KostkaPayne,
    author    = {Kostka, Stefan and Payne, Dorothy and Almén, Byron},
    title     = {Tonal Harmony},
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    year      = {2018},
    edition   = {8},
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@article{SchenkerRock,
    author  = {Walter Everett},
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    number  = {4},
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@misc{StructAccel,
    author       = {Hudson, Stephen},
    title        = {Why is Slipknot so Heavy? Structural Acceleration in Slipknot's ``Duality''},
    journal      = {Metal In Theory},
    year         = {2020},
    howpublished = {\url{https://metalintheory.com/why-is-slipknot-so-heavy-structural-acceleration-in-slipknots-duality/}},
}

@article{StructDist,
    author  = {Scotto, Ciro},
    title   = {The Structural Role of Distortion in Hard Rock and Heavy Metal},
    journal = {Music Theory Spectrum},
    year    = {2016},
    volume  = {38},
    number  = {2},
    pages   = {178--199},
    doi     = {10.1093/mts/mtw013},
}

@article{ThroatValves,
    author  = {Edmondson, Jerold A. and Esling, John H.},
    title   = {The valves of the throat and their functioning in tone, vocal register and stress: laryngoscopic case studies},
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}
